by Osprey Photo Workshops & Tours | Jan 29, 2024
Outer Banks North Carolina Fall 2024
Photo Workshop
with Irene Hinke-Sacilotto
5 Dec – 8 Dec 2024
Price $998
This Outer Banks Photo Workshop offers a variety of photographic opportunities —lighthouses, miles of pristine beaches, sand dunes, small boat harbors, historic sites, fishing piers, wildlife reserves, and parks. Over the ocean, along the shoreline, and in the marshes, waterways, and forests, we will look for photographic subjects including pelicans, herons, shorebirds, warblers, pelagic seabirds, dolphins, deer, fox,and other wildlife. Locations to be visited include Bodie and Currituck Beach Lighthouses, Roanoke Marshes Lighthouse, Duck boardwalk overlooking Currituck Sound, Wanchese Harbor, Pea Island National Wildlife Refuge, Currituck Banks Coastal Estuarine Reserve, and Hatteras National Seashore. On the Outer Banks, sunrises are often spectacular. The image below is of Avalon Pier as the sun is rising. Jennette’s Pier (1000 foot-long pier in Nags Head) also offers wonderful opportunities for photography where we hope to capture images of flying pelicans, pelagic birds, propose, surfers, and fisherman.
Avalon Peer at sunrise.
Willets feeding in surf with golden light on water.
On 5 Dec there will be an orientation meeting at 7 pm, EST where participants are invited to share their background in photography and goals for the workshop. I will discuss logistics, safety, the tentative schedule, potential subjects and locations, and photo tips. Each day will begin at dawn for sunrise photography and will end the day at sunset except on Sunday, 8 December when the program will end at noon. Three night’s accommodations at the John Yancey Inn are included in the workshop price.
Note: As usual with my workshops, I will arrive several days prior to the group to access current local conditions and to scout the best locations for photography. The exact locations and times may vary according to weather, safety considerations, current road conditions, and desires of the group.
I do not photograph during the workshop so my attention can be focused on each participant.
AvalonPier at Sunrise
Skimmer Board used at Jennette’s pier by young boy.
The Changing Face of Barrier Islands
The Outer Banks consists of a narrow string of barrier islands running parallel to the North Carolina coast for 150 miles from the Virginia border to Shackleford Banks in the south. A network of bridges and ferries join the islands together making it easy to travel from one to the next. The Outer Banks are separated from the mainland by bays and inlets, with Pamlico Sound being the largest (30 miles across at its widest). Like all barrier islands, those of the Outer Banks are in a constant state of flux being reshaped by the wind, waves, tides, & storms. Today’s shallow coves fill with sand and become the marshes of tomorrow. The most dramatic changes in appearance are caused by fierce coastal storms like the winter “nor’easters” and the fall hurricanes. When these storms coincide with seasonal high tides, the results can be disastrous, creating new inlets, washing out sections of the main highway running the length of the Outer Banks (Route 12) and tumbling beach-front homes into the sea. Our exact itinerary can be influenced by weather and changes in road access.
Wave with spray on windy day.
Abandon pier at sunrise.
Cape Hatteras National Seashore
For thousands of years, North Carolina’s Outer Banks have survived onslaughts of wind and sea. This thin, broken strand of islands curves out into the Atlantic Ocean and back again sheltering North Carolina’s mainland and offshore sounds. Cape Hatteras National Seashore protects long stretches of beach, sand dunes, marshes, and woodlands that are part of three barrier islands– Bodie Island, Hatteras Island, and Ocracoke Island. It extends more than 70 miles south of Nags Head.
It and other undeveloped beaches, offer wonderful opportunities for photography–sunrise, waves, shells, patterns in the sand, dunes, driftwood, beach vegetation, and local wildlife. Because of strong currents and turbulence off shore, food is abundant, supporting not only large populations of seabirds, but dolphins, whales and other marine mammals. Those will longer lenses may be able to capture images of the sanderlings or other small shorebirds as they chase receding waves to feed on crabs and other tiny organisms in the exposed wet sand. Or you may have opportunities to photograph Brown Pelicans flying in formation and gliding just inches above the water’s surface or plunging head first into the ocean.
Tundra Swan splash landing
Blue-winged Teal taking off.
Group of swans interacting.
Oregon Inlet
Oregon Inlet connects the Atlantic Ocean with Pamlico Sound. For years, the Bonner Bridge, the longest bridge on the Rt. 12 which runs the length of Outer Banks, provided vehicle access to the southern part of the Outer Banks. Due to shifting sand, strong currents, and instability, the Bonner Bridge had to be replaced. The 2.8-mile Marc Basnight Bridge now connects the northern and southern parts of the Outer Banks.
The southern portion of the old Bonner bridge was turned into a 1046-foot long fishing pier. The Pier opened on Oct. 1, 2021 with cooperation between the National Park Service, Fish and Wildlife Service, and the North Carolina Department of Transportation. Oregon Inlet is rich with marine life due to mixing of salt water with fresh and attracts fish, birds and fisherman. From the pier, we will try to get images of pelicans, cormorants, ospreys, and pelagic sea bird attracted to the abundant food supply.
Canada goose reaching out.
Tundra Swan flapping backlit.
Near the entrance to the pier is a historic US Coast Guard station, (formerly a Lifesaving station) that has great photo potential. Near to the ocean, it sits in the midst of beautiful sand dunes.
Oregon Inlet Life Saving Station
Bodie Lighthouse & Keepers Quarters
Bodie Lighthouse
The Bodie Island Lighthouse was erected to mark the entrance to Oregon Inlet and is still operating today. It is located at the north end of Cape Hatteras National Seashore, just south of Nags Head and 4 miles before the inlet. Todays lighthouse was built 1872 after the original one on the opposite bank of the inlet was destroyed in the Civil War. It was renovated in recent years, with the work concluded in 2013. It stands 150 feet tall and has a keepers quarters is adjacent to it. It is tucked away between tall pine trees and freshwater marshland. Deer are not an uncommon sight on the main entrance road to the parking area. There are several nature trails nearby including a .4 mile long boardwalk leading to a viewing platform overlooking a pond and marshland frequented by wading birds and others species.
Osprey carrying fish.
Duck Boardwalk and Currituck Sound
The community of Duck on the northern end of the Outer Banks constructed an elevated boardwalk that is nearly a mile in length and is adjacent to Currituck Sound. Herons, waterfowl, turtles, and other species can be photographed from the various points along the walkway. It is the perfect place to capture incredible sunsets with swans or cypress trees in the foreground.
Cypress tree at sunset.
Currituck Beach Lighthouse & Whalehead
The Currituck Beach Lighthouse still functions as a guide for passing mariners. It located in the heart of Corolla near the northern end of Rt. 12, the primary road that runs the length of the Outer Banks. This 162 foot tall lighthouse stands out for its distinctive red exterior. The design was intentional to set the Currituck Lighthouse apart from its Outer Banks neighbors. The lighthouse has been left unpainted so visitors could marvel at the sheer number of bricks involved in its construction. The lighthouse is adjacent to the the Outer Banks Center for Wildlife Education, the historic Whalehead Club, and Corolla Park. The Whalehead, with its beautiful architecture, is a 1920’s mansion. Although serving other purposes over the years, it was once a secluded oceanfront retreat for this country’s wealthy hunters and conservationists.
Bald Cypress Tree Currituck Sound Sunset.
Manteo & Wanchese
On Roanoke Island, in the late 1800s, Manteo served as an important port and is one of the oldest towns in North Carolina with large ships docking at is waterfront. A short distance away is Wanchese, another fishing port. Once centers for boat building, both ports have diminished in importance today. But they still have small boat harbors where a small number of trawlers, crabbing, and other commercial and sports fishing boats dock.
Roanoke Marshes Lighthouse
The Roanoke Marshes Lighthouse is on the east end of the Manteo waterfront. Reaches 40 yards out into Roanoke Sound with a boardwalk for access. Unlike Bodie and other lighthouses on the Outer Banks, the Roanoke Marshes Lighthouse is a replica of a lighthouse that was constructed in 1877 at the southern entrance of the Croatan Sound in the village of Wanchese to help sailors and fishermen to find their way to port. It is a river lighthouse. So like its counterparts, it is much shorter and squatter than the other lighthouses on the Outer Banks. With its red roof, black shutters, and cottage-like appearance, it is a favorite subject for photographers. The town of Manteo, one of the oldest towns in North Carolina, is quaint and worth visiting with a number of unique shops, pubs, coffeehouses, restaurants, and a boardwalk along the water. It is a nice place to pick up a coffee or sandwich after an active morning shooting session. Nearby is the small community of Wanchese with a small harbor and marina with large sport fishing boats. Usually there are a few work boats tied up at the wharf along with fishing nets, crab traps and other gear. In the past, it has been a good location to photograph ospreys and pelicans.
Avocet preening.
Brown Pelican landing.
PEA ISLAND NATIONAL WILDLIFE REFUGE
Pea Island National Wildlife Refuge (NWR) is on the southern side of the Oregon Inlet and covers more than 5,900 acres. The water level is managed by a system of dikes and ponds to favor the production of food high in value to wildlife. The refuge provides a safe haven for wintering migratory waterfowl with 25 species of ducks and more than 265 species of birds including osprey, Wilson’s plover, black skimmers, wading birds, and least terns. We will explore the overlooks and trails in search of photo subjects. In early winter thousands of waterfowl including tundra swans arrive at the refuge.
Tundra Swan landing.
What to Bring
DSLR or Mirrorless camera, instruction manual, spare memory cards ,and batteries. Lenses from wide angle to 300 mm or more. Polarizing and a neutral density filter. Sturdy tripod. For the image review session and editing images, bring a laptop computer or tablet. Edited images should be saved to a flash drive for transferring to my computer for viewing by the group.
CLOTHING
It can be cold at this time of the year, so bring some warm clothing. But in early December temperatures can also be mild. Dress in layers. The workshop will begin each day at dawn to take advantage of the warm, early morning light. Activities will proceed in the rain, so bring rain gear and waterproof covers for your camera and lenses. At this time of year, ticks, flies or mosquitoes could still be present so bring insect repellant. For protection from UV radiation, I suggest wearing a hat and using sun screen. To prevent dehydration, bring water to each outing.
HANDOUTS
Also prior to our first meeting, please bring me on a thumb drive 2 sample images of your nature photography images for discussion. In a future handout, I will provide guidance as to file naming and formatting. Using the recommended naming protocol helps when sorting and reviewing the images besides info on what to bring. You will also be sent a liability release form and pre-workshop questionnaire that will help me to better address your needs. These should be completed before the class.
Yellowlegs after catching fish.
SPECIAL NOTES
I will provide individual attention to each participant in the field matching each their skill level. The itinerary is flexible and will be adjusted according to the location and availability of subjects, the weather, safety, group interest, and other factors. Paths may be uneven, wet in spots, or sandy. The trails I selected for the workshop are easy to moderate in difficulty. Anyone may abstain from any activity and select an alternate that is less strenuous. Boots with firm ankle support for hiking are recommended. The pace of the workshop is adjusted to the desires of the group and to allow participants to explore each location thoroughly and to ask questions. Car pooling is encouraged where possible & safe. Much in terms of health precautions will depend on the situations relative to COVID or other health risks at the time.
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PRICE $ 998 based on single occupancy; $ 896 based on double occupancy.
ACCOMMODATIONS – Price includes 3 nights accommodations (John Yancey Inn, Ocean Front, Kill Devil Hills, Outer Banks), but does not include food, transportation, tolls, any park fees or personal items.
Maximum number of participants – 6
Full payment due 30 days prior to the start of the workshop. Deposit: 50% prior to that date. See cancellation policy posted with registration form on web site. If you have questions, contact me at (410) 679-2873 or (410) 960-5871 or e-mail me at ospreyphot@aol.com
(To register, complete the form at top of the “Events” web page).
CANCELLATION POLICY
Notifications of cancellation must be in writing.
The following charges apply per person at the time I receive your written notification of cancellation:
- Cancel up to 121 days prior to departure date – full refund.
- 120 to 61 days prior to departure, $125 administrative fee charged. ($35 admin fee for weekend workshops.)
- 60 to 46 days prior to departure, 50% of workshop or tour cost.
- 45 days or less prior to departure – NO REFUND
Medical circumstances or emergencies do not constitute grounds for exception to the cancellation policy nor does weather. Therefore, trip cancellation, interruption & medical insurance is HIGHLY recommended. Travelers Insurance Company and others provide such policies at a reasonable rate. In the unlikely event that the trip is canceled due to insufficient enrollment, your money will be refunded in full, with the exception of expenses you personally incurred while preparing for the trip
by Osprey Photo Workshops & Tours | Apr 21, 2019 | Assateague, Chicoteague, Nature Photography, Photo classes, Photo instruction, Virginia, Wildlife Photography
Photo Opportunities
Chincoteague National Wildlife Refuge & Assateague Island National Seashore
Ospreys can dive to catch fish. Their feathers shed water easily and their talons specifically designed to be able to grab and fly with their catch.
Chincoteague National Wildlife Refuge and Assateague Island National Seashore
Location & Management:
Managed by the US Fish and Wildlife Service, Chincoteague National Wildlife Refuge covers 14,000 acres of beach, dune, marsh, shrub and forest habitats. The majority of the refuge is located on the Virginia end of the narrow, 37-mile-long barrier island of Assateague (Assateague Island National Seashore) just south of Ocean City Maryland. The refuge is managed to benefit wildlife and to protect critical habitat for both resident and migrating species. Birds found on the refuge include ducks, geese, heron, raptors, warblers, and shorebirds plus deer, raccoons, Delmarva Peninsula Fox Squirrels, muskrats, foxes, and otters.
In recent years, there has been a significant drop in the number of migrating snow geese visiting the refuge in the fall. Once reaching nearly 40,000, but today the numbers are much lower. Grabbed this shot several years ago as they landed on the beach. This fall, they were there again this year.
Large numbers of snow geese sometimes stop at Bombay Hook National Wildlife refuge, DE instead of proceeding south to Chincoteague in the fall. This flock circled several times before landing.
A number of impoundments have been created by refuge staff where water levels are managed to provide resting and feeding areas for waterfowl and other species. Some dikes bordering the enclosures are topped with roads adjacent to water-filled borrow ditches where birds congregate. This arrangement offers excellent opportunities to photograph wildlife from your car, steadying your camera on a bean bag or using another means of support. Because the animals are protected on the refuge and are used to seeing people and vehicles, they are less timid than elsewhere and more easily photographed.
Clapper Rails are secretive birds found in the marshes. They feed at low tide on the exposed mud flats. Rails are often heard before seen.
Wild ponies are a favorite photo subject among visitors. Smaller than standard horses with heavy coats to protect them in this harsh environment. They appear perpetually pregnant with bloated bellies from their diet high in bulk and salt.
New born. Wild pony family.
Constant Change:
As with all barrier islands, the sand shifts with the season and strong storms. The ocean cuts through the dunes sometimes forming temporary inlets. Water-laden sand rolls over the land creating new marsh. With the landscape constantly changing, there are always new and exciting opportunities for photography. No matter when you visit, you will always find something to photograph. Even in the summer when the public beach is packed with people, you can still find photo subjects by venturing out in the early morning and late afternoon when there are fewer people to interfere with your activities.
Once endangered, Delmarva Peninsula Fox Squirrels were transplanted on Chincoteague and now they are often seen at the edge of the maritime forest.
Locating and approaching wildlife:
Spotting animals requires careful scanning of the environment for shapes, tones or colors out of place, and movement. By studying animals, whether photographing or not, you gain insight into their behavior and are better able to capture action shots. Creatures of habit, animals often visit the same locations repeatedly so check these spots on a regular basis. Know your equipment well and be prepared to photograph at any time. Have a suitable camera/lens combination ready with exposure settings pre-set for conditions you are likely to encounter. Once a potential subject is spotted, plan your approach. Consider the lighting, background, subject temperament, and the animals direction of movement. If it is following a predictable path, move slowly and indirectly to position yourself where it is heading. Be careful not to cause it to alter its behavior. Rapidly moving directly towards the animal will normally causes it to flee.
I watched the direction the fox was moving and carefully position my vehicle on the shoulder of the road at a distance in front of where I thought it was going. I made sure the warm afternoon light was illuminating its beautiful red coat
After hearing its distinctive call, I spotted this Belted Kingfisher on one of its favorite branches. As I positioned my camera, it plunged into the water and emerged with a small crab in its bill before returning to its perch. To capture various poses of the bird as the bird struggled to consume the crustacean, I held down the shutter release button and repeatedly fired a series of shots using a high number of frames/second.
Shot from my car with my Nikon D850 camera and 600 mm lens resting on a bean bag. Settings: ISO 800, F10, and shutter speeds approximately 1/2000 second.
Belted Kingfisher stretched wing just before it dove after fish.
Suggested lenses and other gear:
- A wide-angle for beach scenes, flocks of birds, and sunrise/sunsets and perhaps a 80 to 200 mm zoom lens to isolate portions of the scene.
- A 300, 400 or 600 mm telephoto for small or timid subjects such as shorebirds. It is preferable to buy long lenses that have collars for mounting on a tripod. This makes it easier to handle the camera/lens combination and it allows for quick adjustment of orientation from horizontal to vertical or in-between.
To spot animals, I look for movement. This Cedar Waxwing was part of a flock attracted to the berries. Shot with my 600-mm lens.
- A 1.4 tele-converter to extend the effective focal length of your primary lens for photographing small subjects. Note: The tele-converter reduces the amount of light reaching the sensor, cutting shutter speeds in half. For best image quality, buy one matched to your prime lens.
- A 200-mm macro lens for close focusing and high magnification when photographing a shell, insect, or flower. Compared to shorter macro lenses, with the 200-mm lens, you can obtain the same magnification at a greater working distance from your subject–a benefit if photographing something timid such as a ghost crab.
- Other gear: An electronic shutter release to prevent camera shake when using long exposures or high magnification. A polarizing filter to remove unwanted reflections and shine on surfaces of vegetation intensifying colors. Depending on the angle of the sun, it can also make the sky appear bluer. You might want to include a neutral density filter that reduces the amount of light entering the lens in order to create special effects by using slow shutter speeds to suggest motion of moving objects – the surf, the wings of birds, etc.
The lighting and pose made this photo of a Great Blue Heron special. Shot in the early AM.
- A sturdy tripod, preferably without a center post for maximum stability when using long telephoto lenses. The tripod should be topped with a professional ball head that can easily support the weight of your camera/lens combination or with a Wimberley Head (gimbal) which is preferred by many photographers for manipulating large lenses and tracking animals and birds.
- If shooting on the beach, the wind off the ocean can be fierce and unpredictable, so never walk away from the tripod. Also, watch where you place your camera gear since an incoming wave can swamp your equipment or worse, wash it away. When around blowing sand or dust, shield your camera when changing lenses to avoid particles entering the throat of the camera and making their way to the sensor resulting in dark spots on your images.
Willet picking up mole crab. Shorebird behavior is often predictable. They follow the edge of the surf, probing for organisms as waves retreat.
Useful tips:
- By having with you two cameras mounted with different lenses when in the field, you can avoid changing lenses in the open and can more quickly switch from one focal length to another.
- When on the beach, wipe or brush the sand off your tripod legs with a damp cloth to prevent particles and salt from entering the joints between tripod segments and making it difficult to adjust the tripod’s height. You can buy or create water-proof tube covers for the lower legs to minimize sand-related problems and to allow you to submerge the legs in the surf.
- If visiting in the spring, summer or early fall, bring insect repellant to guard against mosquitoes, biting flies, and ticks potentially carrying Lyme disease. Reads more on CDC’s website. https://www.cdc.gov/lyme/prev/on_people.html
Adjacent to the refuge is the town of Chincoteague with a small boat harbor. Sometimes loons are found here. It is also a good place to photograph sunset.
by Osprey Photo Workshops & Tours | Apr 7, 2017 | Badlands, Badlands National Park, Landscape Photography, Nature Photography, Photo Tours, Photo Workshops, Scenic Photography, South Dakota, Wildlife Photography
South Dakota Badlands
Badlands National Park
Article on Outdoor Photographer website by Irene Hinke-Sacilotto
Site of June Photo Workshop with Sandy Zelasko & Irene Hinke-Sacilotto
Hikers at Sunset
Badlands National Park is a terrific destination for landscape and wildlife photographers. It is the location of my June 2017 photo workshop, co-lead by Sandy Zelasko. The park is a convenient hour drive east from Rapid City on Interstate 90. North of the Pinnacles Entrance lies the town of Wall where you can find accommodations and other amenities. Near Cedar Pass, at the eastern end of the park, there are campgrounds, cabins, and a few other places to overnight.
Banded sandstone formations
Badlands National Park Geology
Once the site of an ancient sea, the South Dakota Badlands have been transformed over thousands of years by wind and rain into the land you see today. Layers of sediment and ash eroded away leaving behind a rugged landscape with red and tan banded buttes, jagged escarpments with narrow gorges, and brightly colored yellow mounds. In the north unit of the park, there is a thirty-mile scenic loop road that meanders past unique geological formations. Along the way, there are convenient vehicle pull-offs, overlooks, and trails to explore.
Bighorn Sheep Ram.
Wildlife
At first glance, the land seems sterile, dry and wind-swept. Yet close examination reveals a variety of creatures including 39 mammal species. Bighorn sheep, pronghorn antelope, mule and white-tailed deer, bison, prairie dogs, coyotes, badger, jack-rabbits, cottontails, thirteen-lined ground squirrels, chipmunks, and fox squirrels make this park their home. If lucky, you might even spot the rare black-footed ferret, a species reintroduced into the area. Birds include hawks, eagles, magpies, meadowlarks, northern flickers, sharp-tailed grouse, turkey, and pheasant, just to name a few. Wildlife can be easily spotted from the road and are not as timid as elsewhere, due protection by the park service. Search picnic areas and campgrounds for photo opportunities including local free-loaders, such as magpies, squirrels and other foraging animals looking for food scraps and handouts.
Badlands Loop Road
Photo Opportunities
From the town of Wall, it is only a short drive to Pinnacles Overlook, a favorite of visitors for sunrise and sunset photography. Watch as the light slowly creeps across the landscape, illuminating and darkening sandstone formations in the distance. As you head east from Pinnacles Overlook towards Dillion Pass, the loop road travels through some of the most dramatic landscapes revealing yellow mounds in the foreground and jagged peaks behind. At Dillon Pass, you can take the Conata Road south through Buffalo Gap National Grasslands, a tiny remnant of the prairie that once covered huge expanses of land in North America and Mexico. If you climb east on Badlands Loop Road, you will reach Rainbow and other overlooks for great opportunities to photograph the “wall” that separates the lower and upper prairies. At every turn along the road, the topography changes, offering even more photo ops. Storm clouds can add drama to your photos filling up an empty sky and casting shadows across the landscape resulting in alternating patterns of light and dark.
Moving Shadows
Black-tailed prairie
dog
Black-tailed prairie dog towns can be found throughout the park and their occupants are among my favorite subjects to photograph. During our recent scouting trip, we determined one of the best colonies for photography was along Quinn Rd, a dirt road running north off of the loop road where traffic was sparse and there was little disturbance. Here the prairie dogs were more tolerant and allowed us to photograph them at eye level from outside of our vehicle. It was nearly impossible to predict which animal was going to pop out of its burrow and “bark” an alarm call. For the best chance of capturing one barking, carefully observe the colony looking for individuals that seemed more vigilant and concentrate your attention on them. Since the alarm call suggests the presence of danger, be on the lookout for coyote or other predators nearby.
There are a number of trails that you can explore throughout the park for unique photo opportunities. They vary from easy to strenuous in difficulty. Always carry plenty of water. Take time to stop in at the Ben Reifel Visitors Center to learn more about the park, check weather forecasts and ask rangers for up-to-date information on recent wildlife sightings.
Bighorn sheep along Sage Creek Rim Road
Don’t skip Sage Creek Rim Road, a well-maintained dirt road heading southwest and accessed just after the Pinnacles Entrance to the park. Beautiful vistas abound as you glance left (south) near the roads entrance. Rust-colored mounds with deeply furrowed patterns dominate the foreground. In the setting sun, they almost glow red with the reflected warm light. Check out the areas with prairie grasses and browse for bison, antelope and bighorn sheep. At dawn, you may be able to silhouette one of these animals on a ridge against the rising sun. Roberts Prairie Dog Town is a popular stop to see prairie dogs. Often an abundance of visitors fright them back into their burrows making this location not ideal for photography. I suggest looking farther down the road for better opportunities. On the fringes of the colonies, look for coyote and badger which sometimes hunt as a pair.
Stalking Coyote
Also check out woody draws where there is enough moisture to support shrubs, trees, and other plants. These sheltered areas are often havens for fox, deer, rabbits, squirrels and other wildlife. In autumn, these groves of trees add a splash of color to the dry landscape with leaves of yellow and gold. Be careful when stepping off trails. Burrows and prairie rattlesnakes might be concealed beneath the grass. Wear sturdy boots to negotiate uneven terrain and protection against cactus spines.
Fall color
Approaching & Photographing Wildlife
Make note of where you commonly see animals and check these locations on subsequent trips past the area. Photographing wildlife often relies on the animal accepting your presence as non-threatening. That means patience is important. Stalking tips: Move slowly, emulate their behavior, stop periodically, take an indirect route to close the distance, assume a low profile, and avoid direct eye contact. Minimize loud noises, perfumes, or anything not typically found in their environment. Camouflage clothing can help you merge with the surroundings and avoid curious human on-lookers from approaching you.
Pronghorn at rest
When photographing, make sure you do not disturb the animal’s behavior. If it reacts, stop and wait before resuming your approach. Curiosity may even bring them closer to you. Never block an animal’s means of escape or stand in their path. Just because they are in a national park, wildlife is unpredictable and can be dangerous particularly if traveling with young. Obey park regulations. Don’t feed wildlife.
Bison Scratching
Suggested equipment:
- DLSR camera with good response in low light at high ISOs
- Lenses from wide angle to telephoto. (My 200 – 500 mm Nikon zoom lens was handy when I needed to react quickly to wildlife subjects.)
- A matching tele-converter
- A macro lens if you enjoy close-up photography
- Large bean bag to support your camera when photographing from a vehicle
- Sturdy tripod mounted with a ball or gimbal head.
Yellow Mounds Near Dillon Pass
Check out the upcoming Photo Workshop 4-9 June, 2017 with Irene Hinke-Sacilotto & Sandy Zelasko. www.ospreyphoto.com
Meadow Lark Singing
Eroded Landscape
by Osprey Photo Workshops & Tours | Mar 4, 2017 | Digital Photography, Nature Photography, Photo classes, Photo instruction, Photo Tour, Photo Tours, Photo Workshops, South Dakota, Travel, Wildlife Photography
Badlands National Park Spring Escape
June 4 – 9, 2017
With trip leaders – Sandy Zelasko & Irene Hinke-Sacilotto
SOUTH DAKOTA – Photography Tour
sponsored by
in conjunction with
“Eat more flowers”
INTRODUCTION
During this South Dakota photo tour, we will explore Badlands National Park and locations in the vicinity. On most days, we will be in the field at dawn to take advantage of the early morning light. Likewise, we will end each day’s activities at sunset. When the sun is low in the sky, the light accentuates the relief and texture of the land. Colors are warm and the contrast soft, so details are not hidden by the dark shadows present at noon-time. At dusk and dawn, animals are more active and easily located. We will reserve mid-days for rest, reflection, image transfer, and travel between locations. There will be a variety of photo opportunities, including both scenery and wildlife.
Badlands Formations
BADLANDS NATIONAL PARK, SOUTH DAKOTA
Once the site of an ancient sea, the South Dakota Badlands have been transformed over thousands of years into the land you see today. Layers of sediment and ash were eroded away leaving behind multi-colored rocks and boulders balanced on pedestals of stone. Eroded canyons and isolated buttes stand as testament to the power of the wind and rain. At first glance, the land seems sterile, yet close examination reveals a variety of creatures. Agile bighorn scale steep canyon walls. Pronghorn and buffalo graze on the succulent prairie grasses while hawks circle overhead. A loop road travels through the northern portion of the park providing easy access to unusual geologic formations and favorite wildlife haunts.
An active prairie dog town lies along Sage Creek Rim Road. The colony’s occupants are enjoyable to watch and photograph as they groom, nibble on grasses, and romp playfully with their siblings. Now and then a shrill alarm call ripples across the colony warning of a potential intruder — perhaps a badger or coyote in search of a meal.
South of the Sage Creek area in the second unit of the park is Sheep Mountain Table. At the base of the plateau are formations with rocks balanced on limestone pedestals. A rough dirt road climbs to this high, flat plateau which is isolated from the surrounding terrain by deeply cut canyons. On top, the views are spectacular. Dirt roads extend like fingers to a variety of vantage points on the rim of the table. (access is dependent on road conditions at the time)
Wild Turkey
Bighorn Ram
by Osprey Photo Workshops & Tours | Jan 6, 2016 | Chicoteague, Fall photography, Nature Photography, Photo Tour, Photo Workshops, Uncategorized, Wildlife Photography
Chincoteague National Wildlife Refuge/Assateague Island
Trip Report (Dec 2015)
Snow Geese Flock
Arrived at Chincoteague, VA on Thanksgiving 2015 to spend several days with friends for the holiday. On Friday, at the Chincoteague National Wildlife Refuge Visitors Center, I delivered a presentation on wildlife photography as I do for the refuge at least once a year. My friends departed at the beginning of the week leaving me to begin scouting locations for my upcoming workshop, sites most likely to provide participants with good photo opportunities. The weather was rainy and cloudy much of the week making my job challenging. To make matters worse, the number of birds, particularly snow geese, this year was fewer than in the past, perhaps due to the warm weather in November and early December. It did not help matters that the phragmites along the banks of the borrow ditches was high in many places making photography difficult and the birds hard to spot.
Luckily there were some small breaks in the weather. Sleeping-in is not wise since you never know what Mother Nature has in store for you. One morning at dawn, light fog floated over the water that reflected the golden color of the sky. Geese floated into the scene and provided some needed foreground. Later that day I spotted a fox squirrel in soft light gathering leaves for her nest. On another day, I spotted her again on the side of the road dining on pinecones. The low light meant I had to use ISOs higher than normal to freeze the action (800 and 1600). On another morning, I grabbed a striking pre-dawn shot of the lighthouse as I enter the refuge.
Sunrise
Sunrise Beach Road
Dawn at Chincotegue Lighthouse
RudyTurnstone
Outside the refuge, I explored the town of Chincoteague and the small boat harbor. I talked to a few watermen and photographed them off-loading their catch. This year was the first time I witnessed workboats returning to the harbor at sunset. This presented me with nice opportunities for sunset photography.
Fishing boat returning
With the low number of birds present of the refuge, I was concerned that my workshop participants arriving on the upcoming weekend would be disappointed with photo opportunities. Besides the small boat harbor, I looked for new subjects to photograph around town. On a foggy morning, I stopped at the intersection where there was a steam driven tractor on display. I had passed it many times but never took the time to examine it. With camera in hand, I discovered interesting details worthy of snapping some shots. Elsewhere in town I took a few shots of outdoor displays and a peculiar mallard with feathers stuck on its bill.
Mallard Duck Quacking
On Friday, finally the weather improved. At dawn, the sky had a bit of color near the horizon so I combined silhouettes of pines against the colored background – layers of color for a slightly abstract feel. Weather conditions continued to improve and so did the number of birds on the refuge. The small group of snow geese that had been hanging out on the beach at Toms Cove near the Life Saving Station, moved north resting on the sand near the beach parking lot. Honking as each new wave of geese arrived, their numbers grew. Against the blue sky, one V of geese after another filled the sky and descended to join the original flock. It was a beautiful sight. I spent the better part of morning photographing the spectacle, much of the time photographing from in my car to avoid disturbing the birds. (Lens primarily used: Nikon 80-400 mm chosen for its flexibility).
Snow Geese landing
In the afternoon Friday, 4 Dec, the impoundment along Beach Road was full of birds – ruddy ducks, buffleheads, cormorants, and flocks of yellowlegs and herons. Weirdly as quickly as the birds appeared, the number dropped significantly the following day when my workshop began.
Trawler at sunset
I had a full workshop this time with 8 participants of varying skill levels. The critique sessions revealed that all walked away from the workshop with very nice images and fresh ideas to improve their photography. Saturday ended with a great sunset at the small boat harbor. We arrived just in time to catch a huge sun dropping behind a trawler tied up at end of the dock. Sunday began with sunrise photography at the beach to be followed by photography of horses and a few herons along the service road. (I rented the Chincoteague Natural History Association tram for part of Sunday morning.)
Fox squirrel
My lesson learned. Don’t give up despite the weather or other disappointments. If you keep a positive attitude, you are bound to find something interesting to photograph.
